Slainte!

Slainte!

Bruichladdich 10

Bright amber color, and fairly light. 


Nose: Distinctly Islay, even though this malt is unpeated. Warm honey and heather, slightly floral, but not as aromatic as a Highland Park. Something faintly crisp, and light, with a bit of toasted malt that makes one think of summer coming to a close. 

Palate: Extremely herbal. At first, almost like a mint chocolate wafer, and as it rounds over the palate takes on the bitterness of old fashioned absinthe. The Laddie 10 starts sweet, full, and rich. But only for a brief moment, turning to salted chocolate and caramel, a hint of smoke, becoming peppery at the finish. 

Finish: Enigmatic, very smooth. The sweetness on the palate quickly gives way to long impressions of cinnamon candies, baked earth, lavender, concluding with a freshness like linen on a clothesline. 

Additional Notes
- The Laddie 10 makes a strong impression on the palate, and has a surprisingly long and complex finish. 
- Tasting this whisky involves taste, smell, sight, and touch. It appears light, but introduces itself on the palate as a well-aged malt. While the sweetness rolls off the tongue, the semi-dry finish lingers while leaving the lips with a sticky-sweet kiss. 

Pan Tedeusz (Polska Wódka)

This review features a vodka that I tried on a recent trip to Poland to visit the woman who is now my fiancée. Vodka is know to be colorless, odorless, and admired in many cases for its flavorless character and suitability to mixed drinks and ice cold martinis. The liquor that doesn't tell, so to speak.

However, many vodkas do have character, and most vodka drinkers have preferences based on their own set of values. Nonetheless, I will approach this vodka from the perspective of a whisky drinker in an effort to capture its aroma, describe the palate, and relay to you the finish of this Polish spirit. 

Besides "40% alc. / vol" there is nothing I can discern of its make or character from the label. I know like, a dozen words in Polish. I would presume that most Polish vodka is distilled from potatoes. 

Crystal clear, indistinguishable from the purest water except that it falls in long, thin tears when swirled in my glass. 

Nose: Sugary sweet. Fresh lemon zest. Extremely bright and clean, with the faintest suggestion of pineapple, 

Palate: Warm, light, mouth coating. Delicate at first, with a nice little punch in the middle, and disappears quickly, does most of the work for you. 

Finish: Incredibly smooth. In terms of flavor, just the lightest sweetness, and a fleeting floral note. 

Additional Notes
- I would definitely suggest sipping this slowly to appreciate its light flavor.
- If you like ice, then I suggest going with something like Stoli or Absolute. These were designed for such cocktails. Ice would render Pan Tadeusz flavorless and without any distinguishable body. 

Aberlour 12

Amber color, appears to have an oily texture.

Nose: Fairly light, malty. Lighter fruits, with a fresh heather scent. Caramel drizzled over warm apple pie. I have a pair of well worn boots that I neglect to oil, but here I recall the faint scent of that leather. Maple sweetness.

Palate: Warm, sweet. Chocolate and toffee. Sherry lingering in the background all the time, but the oak is in balance, and only slightly bitter near the back of the palate on the edges of my tongue. Just a little rancio, puzzling for a 12 year old. Very rounded, bigger than the nose suggests.

Finish: Light sherry. Definitely has some herbal zip from oak, and the flavors fade fairly quickly, perhaps due to the lightness of the spirit. But a long, warming finish, still with a touch of sweetness, and with darker fruits. Concord grape peels.

Additional Notes

- This is one of the most well matured scotches I have ever tasted. The sherry dominates, but intrinsically rather than as a mask the other flavors hide behind.

- This is one scotch that benefits from just a little drop of water, but any more will dilute it to the extent of diluting its character. Adding ice would simply ruin this one. Really well balanced in terms of wood choice, alcoholic content, and age.

- I would point to this scotch as an example of "maturity" as an age scotch reaches when it has acquired its distinguishing characteristics and reached a perfect balance of personality and taste.

- Where Macallan is boldly sherried, the influence in Aberlour is restrained. Much like Balvenie Double Wood, but with greater balance. Less aggressive than either, and can be enjoyed quietly, on its own.


Highland Park 8 (Gordon & McPhail)

Pale Gold. Appears to have a light body.

Nose: Fresh, juicy grass. Chocolate, almonds. Maybe hazelnut, too. Being young, it is quit hot. Distinctly bitter, but not bad; rather like the bitterness of Amaro or Fernet. As for spice, a little cinnamon. Too woody.

Palate: Pungent, but without all the good smoke flavor of its distillery bottled cousins. Very light, with a touch of oak.  Earthy and fruity, like unwashed apples and peaches.

Finish: Rather short, has not really developed enough to take on the kind of flavors that stay with you after the dram has gone down. It simply has not developed enough character in the finish, most of its personality is on the nose.

Additional Notes:
- Kind of a rugged, solitary drink. Dusty, warming.
- Challenges a drinker with modest complexity and the fire of its youth. Definitely unique, but ambiguous.

Whisky Weather

This post was written as a submission to @writerjax 's Blogtoberfest at http://writerjax.net/
Whisky is a spirit suited to a number of occasions, so as the winter months approach the character of your dram might change as well. Light, fruity, floral whiskies like Glenmorangie and Cragganmore are superb drinks to hold during a warm summer evening on the porch.
But as the leaves turn, then fall, and the winds carry air from cold and distant climes to our small New England villages, we traditionally turn to food and drink that provides a feeling of warmth and comfort. Spiced breads, warm pies, mulled cider, apple sauce, cookies, beef cooked slowly with rich sauces. As our tables amass with these rich, flavorful dishes, our beers and cocktails follow suit. A pilsner gives way to a dark lager, breakfast porters appear, and the indomitable stout satisfies the bite of the cold and pang of hunger. This season calls for whisky that can stand up to such powerful flavors. And some of my favorite Scotches are naturally suited to autumn in New England.
Such whiskies are not for the faint of heart. High octane, heavily peated, and often of an aroma detectable to fellow carousers across the room, these drinks require some time and patience to appreciate. Single Malts, by far and unfortunately the most expensive bottles of alcohol, do take the most time to age to a point of palatability. But, when they reach that point, the whisky has matured to a distinct and inimitable character that, to be experienced properly, requires conscious drinking and respect for the dram.
The reward for such excellent drinking is two-fold. The first is the great gift of flavor, the primary attention paid to a dram by any whisky enthusiast. Flavor consists of a myriad of aromas, tastes, and palatal sensations that rise up, develop, and take a great amount of time to subside. What’s more, these sensory impressions are closely knit with our memories. At this nostalgic time of year, it is a healthy exercise to think back upon our experiences with friends and family while we share a glass or two of whisky, and allow the remarkable flavors held within the dram to bring to mind images of erstwhile seasons. 
A great gift to the scotch drinker, particularly, is the special warmth that a fine measure of well-aged Single Malt instills within one’s breast. This auxiliary benefit is distinguished from the parallel effects of other adult beverages in that its grasp is both noble and brutal. Where wine ushers warmth and relaxation, and beer joviality and mirth, Scotch whisky makes light of trespasses and opens the floodgates of repressed expression. You can learn a lot from someone from what they drink and the way they drink it; in my experience, many great moments of triviality have been shared amongst family and friends as we neared the end of the year, and the bottom of a bottle of whisky.
In Scotch, savage flavors are refined through the chemistry of distillation. Even so, uisce beatha, the water of life, lives a life of its own. The seed of the barley plant is turned to a grist, fermented by living organisms, and rises as transitory ether. This, the very essence, the spirit of whisky, is collected and condensed. From this only a part of the ferocious and wild liquid is selected to be housed and aged in charred casks made from great white oak trees. Time and seasonal change beget character – and ultimately the perfect balance of flavors, known as “maturity”.
If and when you reach for a bottle of whisky, try to keep in mind that this is one of those things enjoyed slowly. It is not for mixing, not for doing shots. Pour it into a glass, and notice how it changes and opens up like a glass of wine. Sip the whisky. Hold it in your mouth. Let the burn remind you that you are not invincible to the alcohol; only allow it to break your resistance to the reasonable degree. Your thoughts become more fluid, music more pleasurable, and the ideas of your present company become more accessible, your conversations more fruitful.
If you happen to be drinking whisky, there is an off-chance that you encounter a snob. Beware the Scotch-snob. So-called “purists” claim that the whisky is meant to be drunk untouched and unadulterated. They are misinformed. If that were the case, we’d have little use for a glass.
The most important thing to remember is that whisky is about taste. If you are drinking a Single Malt, don’t add cola or some other flavor enhancement. If you desire such a cocktail, opt for a blended whisky. A Single Malt is already perfect in its own way. However, water is going to play a big role in your fall and winter whiskies. Add water to access flavors that are hidden behind potent phenols. Scotch is made of malted barley. This means the seeds are partially germinated, and the germination is then ceased by applying heat. Traditionally, heat was applied by burning peat-moss below the floor upon which these seeds “malted,” saturating them with phenols. These chemicals are carried up with the alcoholic vapors during distillation. The result is a smoky scotch, and though they are an excellent source of flavor, it is worth your time to explore the other flavors by reducing the alcoholic content and reducing the intensity of the smoke.
Last October, I had the opportunity to taste an inexpensive Scotch that was delicious and struck an excellent balance between youthfulness and maturity,slightly smoky, and ideal for someone who has absolutely no idea what I am talking about, but will take my word for it and try some Scotch while their kids go out trick-or-treating:
Ardmore Traditional Cask
Nose: Surprisingly complex, given the modest cost. Immediately smoky, more campy than pungent like Islay smoke. A balance struck between the benefits of a relatively young whisky and the influence of oak. Musk.

Palate: Shoe polish, pecans, maple candy and walnuts. Salt and pepper. Red Maple leaves. Gentle and clean.

Finish: In line with the nose and palate. Pleasant, not drawn out, but satisfying.

Additional Notes:
- I really love this whisky. It’s remarkably smooth, very flavorful, and underrated in its smokiness.
- I find it for under $35.00 and hope that never changes.
- An excellent Scotch for people who are curious about trying it, and for sharing with friends.

If, on the other hand, you know exactly what I mean when I say that scotch is just right for the nippy weather, and if you are in no way afraid of a little flavor, then I suggest:
Ardbeg 10
Striking pale gold, hay colored.
Nose: Intense smoke, but not overwhelmingly peaty. Brushfire, tangy BBQ. Smoke envelops the aroma of toasted barley, cereal notes, dry heather and a remarkable ozone freshness. Butterscotch. With water, damp woods and mushrooms. Something exotic like coconut or rubber as well. Muddy boots and band-aids.
Palate: Sweet activity at the front and back of the tongue, very phenolic. A light juiciness rounds out the palate, and you get powdered sugar with white fruit flesh. Benefits from being held in the mouth, wrestling with it. The drinker is rewarded with explosions of flavor: mulling spices, maple, apple cider and pickled pears. Seems to be a whisky in transition; moving from peaty to fruity. Pear again. Buttered toast, apple-cinnamon. Touch of clove.
Finish: Long. Molasses, warm caramel. A little numbing; for an aggressive whisky, the finish is medicinally soothing. A woolen blanket after a cold wet day outdoors. The sap of a maple tree.
Additional Notes:
- I was especially interested in comparing Ardbeg with Laphroaig. Talk about to totally different experiences. When I consider the celebrity of these two malts, I wonder how many people actually have tasted both and realized the opposing character of each.
- Ardbed in the fall, outdoors and with activity
- Laphroaig in the dark long nights of snow shrowded winter
- As far as the 10 year olds go, my vote on taste to Laphroaig, but my respect to Ardbeg for their pure unadulterated whisky.
- Most importantly, what these two whiskies have in common reaffirms the theory of terroir. As they are heavily peated, these whiskies share a relationship with the same kind of smoke. Definitely distinguishable from the peat of other regions, such as Orkney.

Old Pulteney 12

Bright yellow

Nose: Brine, heather, citrus juice and oil, warm spices. Something sweet like yellow cake, as well as cooked peaches, brown sugar.

Palate: Juicy fruits like figs. Has a gentle reek to it, with a kiss of hot pepper.

Finish: Very smooth and quite creamy. Bittersweet, and a light, lingering finish, suggestions of hazelnut and toffee.

Additional Notes
- Definitely "maritime" in that there's a seashore, briney dryness to the malt.
- It's a strange whisky because the flavors aren't arranged in any particular order, rather, one minute it's orange peel, the next it's crackers and shortbread.
- Quite nice, but I would prefer to drink it in the cooler months.

Tomatin 12

Tarnished brass color, medium-light body.

Nose: Very "Scotchy" - bold tones of heather, sherry, oak. Vanilla is there, but it's a little bitter. Strong citrus, a little anise. Wild thyme. After some time I detected a little fishy sea-shore.

Palate: Not bad. Aggressive on the palate, a little fire on the tip of the tongue. Not complex, a lot of sherry you might cook with. Humble, I would say. Rugged, with a charred flavor.

Finish: Creamy, and somewhat big which makes up for a bitterness that seems to come from too much wood and too little time. Warm, but not complex. A touch of floral sweetness squeaks by. 

Additional Notes:
- There is nothing wrong with this whisky. I wouldn't pick it for my taste, but I'd never turn it down
- Would be good with a cigar, or a long day in the woods
- Exceedingly average. If you leave it be for a while it improves, and I found that I liked it better near the end of the bottle - no, I didn't drink it all at once

Springbank 10

Old gold color. Light but firm body.

Nose: Briney. Smoke, held in check by the saltiness. These aromas are found deep in the glass, while fruity sweetish flavors open up toward the end. Lightly citric, lots of damp wood. Very sweet accents, peach, pear, pineapple. Vanilla extract.

Palate: Bread and butter, toasty. Dried fruits - Irish soda bread. Cloves. Big, but very clean and smooth. It;s not weak whisky either. Meringue. Tangy. Citrus oil.

Finish: Dry, not especially long, but satisfying. Some herbal, vegetal flavors. Still smoky. A bit feinty, but not bad. Baked fish.

Additional Notes
- This is a very challenging whisky that I expect to return to and experience altogether differently, especially in older expressions. There are flavors and aromas I simply cannot identify
- I am very eager to try Longrow. Look up Broom or Jackson's descriptions
- Add water. It becomes buttery and musk comes through, then salty chocolate in the finish
- This is high quality, and unadulterated. See Ralfy rant about his usual qualms with branding interfering with provenance

Caol Ila 12


Very light in color and body

Nose: Heather, lavender, mint. Classic Islay peat. More floral, ripe, and summery than its Islay counterparts. Rather than medicinal, aromatic.

Palate: Lighter than Laphroaig, but wetter than Ardbeg. It clings to the palate, but softly so.

Finish: A touch bitter, and not very long, but with excellent potential. Strong tea.

Additional Notes:
- This Scotch is more about character than flavor. It represents the terroir of Islay with a more graceful posture. It's smoky, maritime, and complex; but of an irresistibly feminine nature
- I had the inclination to pair this with Bastille 1789 and let me tell you it was magnificent. It was a mix, given the short time I married them, rather than a blend, but the buttery qualities of Bastille shone through at first while Caol Ila followed with sweet smoke and heather
- Prior to blending the whiskys, I added some Caol Ila to my espresso. You've never tasted anything so smooth and uplifting. Add a wee bit of sugar.


Glenmorangie Nectar D'or

Light, brightly colored.

Very difficult not to get carried away with my notes, but if I may,

Nose: Fishy, oily. Rank.

Palate: Marzipan, meringue, chocolate. Creamy, cheesy flavors like those found in sweet sheep's milk.

Finish: Powdered sugar, butter, fig.

Additional Notes:
- Begins to open up as soon as it's poured. Winey flavors come through backed up by the strength of the expression at 46%
- I was genuinely surprised to find that the rank, or rancid, aroma I detected related to the Sauternes cask influence. These grapes are exposed to "noble rot"
- I have never tasted a whisky that gained to much from a finish. Rather than wearing the clothes of and older scotch or being injected with too much wine flavor, Glenmorange Original has integrated harmoniously with the wine casks. A true marriage of whisky and wood, perfectly balanced
- Starts old, finishes light and new

Water

Water, to the whisky buff, is the single most important tool of tasting. Nosing glasses are nice, but you can forget all the velvet ropes and posturing. All you need is your whisky, a simple glass, and some water. Taste your dram. Add some water. Taste it again.

Whisky is full of layers. The people who get the most out of whisky - distillers and drinkers alike - discover them by adding two ingredients: time and water.

Never let anyone tell you that you are ruining Scotch by adding water to it. When you add water, you are unlocking the elements within the dram that were originally distilled by water and seasoned in the wood. The addition of water is, essentially, to reverse distillation. It takes the whisky back through the process of its creation. And don't expect them to understand that.



Bastille 1789

Full bodied and vibrant

Nose: Some herbal notes among a light woodiness /woodsiness.

Palate: Almonds. Amaretto liqueur. Honey, warm spices. Peppery with a beet-y sweetness, juicy but not fruity.

Finish: Butter popcorn in the finish, sugary, pleasant length.

Additional Notes:
- The best thing about Bastille 1789 is that for a blended whisky, it has the boldness of body and flavor of a fully malted drink - there's none of that unpleasant neutral spirit pungency or astringency
- The label gives very little information regarding the origin and type of grain used in this whisky. No age statement. The only craft-indicative information is that it comes from "limousin oak casks." Online research informs me that it is similar to Irish whiskey with barley and wheat
- Highly unusual, and very fun to taste thanks to a combination of various cask influences

Willett Rye 5 year old

Burnt red color, medium body

A thing or two about Rye:

1. The original American whiskey, long since replaced in popularity by bourbon ( less than or equal to 51% corn in the mash bill)
2. Generally spicier than other grains
3. A real shit-kicker, and rapidly growing in pure expressions

So I did a shot and a proper tasting session

Shot

Nose: Pepper, mint.

Palate: Herbal, savory. Strong with spices, cinnamon.

Finish: Oak. Waxy, very long. A little sweet and hot.

Glass

Nose: Again, pepper and mint (separately) as well as camphor, bound within a pleasant strength that suggests a homemade approach.

Palate: Beefy, iron tasting. Heavy flavors. A touch bitter, but evenly sweet and spicy on the lips. Heavily spiced.

Finish: Rum, tobacco leaf. Oak. It's so obviously rye in its hotness and spiciness. Bright and invigorating. Same structure as bourbon, but a different flavor, a relative with a different personality - short tempered, perhaps.

Additional Notes:
- Rye can be very complex. One of the most unique experiences I ever had with whiskey was adding water to some Jefferson's Rye, and I was rewarded with the distinct aroma of toasted marshmallows
- Willett (Kentucky Bourbon Distillers, LTD.) also makes one of my favorite bourbons. Look for a bottle shaped like a pot still.

Glenmorangie Quinta Ruban

Resin Colored, very full-bodied, brandy-like

Nose: Densely perfumed. Dark flower blossoms, a little citrus. With water some heather and that classic Glenmorangie burst of botanicals. Vanilla extract and amaretto enhanced.

Palate: Fruitcake, rum punch. Currant jelly. Vague smoke, and oak. Oily and mouth-coating. The line to Glenmorangie Original is weak, even with water.

Finish: Peppery, warming. Medium length, and doesn't dry out the palate. Water mellows it out but diminishes its character, so only add a little.

Additional Notes:
- After dinner, with dessert
- Basically this is Glenmorangie with lots of maple, brown sugar, apples & cinnamon, even a little cocoa butter. But it takes water and time to get past these obvious cask influences and get back to its roots
- Lacks in definition and balance, but totally smooth and sweet
- Unremarkable in the finish, sweet and even meaty

Glenmorangie 10

Light gold, light to medium body, refreshing.

Nose: Freshly cut grass, heather. Dried fruits and lemon. Certainly malty, but tempered by oak. Anise, Jordan almonds. 

Palate: Apricot brandy comes to mind. Wintergreen, a broad range of botanicals. Delicious, juicy ripe mango. As it opens, you get honey and heather together. It is very gentle, alternating between sweet tropical fruits, like kiwi, and rich shortbread. Finally, something savory far in the background. Dried cherries.

Finish: Light vanilla, white flowers. Kissed with oak. Nougat. Waxy, luscious. Ultra-smooth. 

Additional Notes:
- Added to sauteed vegetables for amazing flavor enhancement. The aroma is delightful. 

Auchentoshan Classic

Nose: Lemon, almond, heather. Young. Freshly baked bread. Chlorinated, salty. With water some floral and grassy notes. Something soapy or chemical about it, artificial.

Palate: Light, insubstantial body. Minty. Flat, rather bitter. More palatable with water, then sugar cookies and butter. Generally dull. When diluted, powdered sugar.

Finish: Buttercream. Herbs. Short, a little sweet. Candied pecans.

Additional Notes:
- Lacks character. Starts harsh, quickly loses its punch.
- When I first opened the bottle it seemed heavy, but quickly dissipated At the end of the bottle the whisky inside was entirely undefined.
- Just to make sure I wasn't going crazy, switched to a bottle of Glenmorangie. It was as flavorsome and complex as ever.

Glenlivet Nadurra

Medium bodied and of a light yellow hue.

Nose: Malty sweetness. Cider, pear. Honey mead. Very light on the vanilla and caramel notes. Then jasmine, maybe lavender, and thyme. Appears to be the whisky here, rather than the cask, that's doing the talking. With water coconut and tropical seashore.

Palate: Hard candy, citrus and toffee. Strength reminds me of white raisins soaked in homemade grappa.

Finish: Arrives quickly with savory notes like tarragon. Not at all bitter, but still hot. The influence of an old weathered cask comes through in piney, cedar flavors. Lilac.

Additional Notes:
- Aggressive and very complex. Take your time and let Nadurra open up.
- Try it neat, then add water cool water.
- This whisky illustrates the potential of a pure unadulterated single malt under a brand name, and says a lot for Scotch whisky as a whole.

Macallan 12

Beautiful color and body, dark amber.

Nose: Sherry. Raspberry liqueur. Thick with oak influence. Floral summer boquet. Rich caramel sauce. With water bergamot, smoke (from wood) and citrus oils.

Palate: Sweet, mulled. Baking spices. Almost rum-like. With water, more barley comes through with a kiss of lime. More spices.

Finish: Wood. Tannic. Sherried. Light, but long. Unpleasantly bitter though, like raw orange rind. Dissapointing compared to the lovely nose, but the astringency is reduced with water. Then you tap into some complexity including roses, tarragon, even something with a Caribbean warmth to it, like agave.

Additional Notes:
- You really have to add water to the Macallan 12 to unlock its complexity. Otherwise it is a strongly sherried, beefy dram with lots of caramel.
- With water, you can tell that this whisky is hugely influenced by the cask. A little peppery even.
- A rather mysterious dram, if you ask me. I didn't expect such bold flavors, but I was pleased with its distinct - but rather informal - character.



A Toast to Experience

As a hobby, whisky tasting takes patience and practice to get the most out of it, just like anything else. Experience has to be accumulated. I did not start off drinking single malts, let alone scotch. But when I discovered I had a taste for it, I worked my way up through the ranks.

It is important not to bite off more than you can chew when it comes to scotch. You shouldn't go out and buy a bottle of Laphroaig if you hav not tasted Johnnie Walker or Dewars. For one, it's awfully cocky, but when you start off with the classics (Glenfiddich 12, Glenlivet 12, for instance, or in my case Glenmorangie Original) you establish a baseline from which you develop your tastes and opinions. For the same reasons, I have never tasted super-premium single malts that require previous experience with younger, less complex malts. Then again, I don't know anybody who will let me have a glass and I can't afford to splurge on those bottles. Scotch is an investment, in pleasure perhaps, but the enjoyment of it is something that can be cultivated.

That said, the absence of reviews on less complex or less expensive whiskies only has to do with the fact that I have not yet taken notes on them. I assure you that Glenlivet 12 has made a distinct impression in my mind, I remember it like a song I know by heart. And it is from these whiskies I learn the essential elements that characterize scotch. And I return to them from time to time to keep from getting out of touch with the elegant simplicity of malted barely, milled to a grist, fermented and distilled, aged in oak.

When people get mixed up in elite scotches they risk becoming separated from the essential nature of whisky, the water of life, named not for the liquid itself, but for the comraderie and friendship shared between those who are priveledged to enjoy it. Despite all its complexities, whisky is for me a simple joy, and I'd never trade a glass of it for a smile from a friend.

I hope we get both. Slainte!

Glenmorangie Lasanta

Reddish gold.

Nose: A strong oak influence, the richness of which brings to mind the sweet, caramel nose of a bourbon. Far more fruity, however. Lively, but mature. Suggests a full body with plenty of sherry influence. The Glenmorangie Original has not dissappeared, but put on the clothes of a more mature scotch. Red grape peels, white grape juice. Soft and candied. Brown sugar, not caramel.

Palate: Quite sweet and gentle. A bit of citrus and spice, lip-smacking port wine cheese flavor, would pair excellently with freshly prepared grouse.

Finish: Not long, but whispers of a pleasant reek and ovver-ripe sweetness. Vanilla, faintest touch of leather. Unpretentious.

Additional Notes:
- At times, my notes on nose, palate and finish may seem to overlap or blend into one another. I won't apologize for that. It's all connected, and Glenmorangie does a great job of keeping thinkgs where they are supposed to be. But you don't take just one sip. It's a process you and I repeat, so that elements do indeed overlap, and sublter elements reveal themselves in different ways.

Ardbeg 10

Striking pale gold, hay colored.

Nose: Intense smoke, but not overwhelmingly peaty. Brushfire, tangy BBQ. Smoke envelops the aroma of toasted barley, cereal notes, dry heather and a remarkable ozone freshness. Butterscotch. With water, damp woods and mushrooms. Something exotic like coconut or rubber as well. Muddy boots and band-aids.

Palate: Sweet activity at the front and back of the tongue, very phenolic. A light juiciness rounds out the palate, and you get powdered sugar with white fruit flesh. Benefits from being held in the mouth, wrestling with it. The drinker is rewarded with explosions of flavor: mulling spices, maple, apple cider and pickled pears. Seems to be a whisky in transition; moving from peaty to fruity. Pear again. Buttered toast, apple-cinnamon. Touch of clove.

Finish: Long. Molasses, warm caramel. A little numbing; for an aggressive whisky, the finish is medicinally soothing. A woolen blanket after a cold wet day outdoors. The sap of a maple tree.

Additional Notes:
- I was especially interested in comparing Ardbeg with Laphroaig. Talk about to totally different experiences. When I consider the celebrity of these two malts, I wonder how many people actually have tasted both and realized the opposing character of each.
- Ardbed in the fall, outdoors and with activity
- Laphroaig in the dark long nights of snow shrowded winter
- As far as the 10 year olds go, my vote on taste to Laphroaig, but my respect to Ardbeg for their pure unadulterated whisky.
- Most importantly, what these two whiskies have in common reaffirms the theory of terroir. As they are heavily peated, these whiskies share a relationship with the same kind of smoke. Definitely distinguishable from the peat of other regions, such as Orkney.

Ledaig 10

Nose: Smoke and barbecue char. Rather one-dimensional. Rubbery.

Palate: Acidic and aggressive. Light bodied, still young. Sulfur and phenol.

Finish: Smoky and spicy, but not entirely pleasant. Too many chemical notes. This whisky would benefit from more time in the cask.

Additional Notes:

- I try to remain fairly neutral and unbiased in my tasting notes. Ledaig, the peated version of Tobermory, made this difficult for me. I could barely finish the bottle. The addition of water did little, perhaps unlocked some floral notes. Frankly, the bottle I tasted was astringent and tasted like a mistake.
- After time, sulfur goes away, and many of the harsh qualities of new make with distant cut-points will be absorbed by the wood it matures in. Young whiskies run the risk of exposing the rubbery odors.
- I would be willing to taste this Scotch once more. Perhaps my bottle was a poor example.

Whisky, Gender, and Language

Is whisky a man's drink? I should think so. That's not to say it can't be woman's as well. And yet, when I saw a post on Laphroaig's website concerning the language the distillery uses to market its whisky I was struck by the commentor's sentiments regarding the gender of whisky drinkers.

The female whiskyfan exclaims,
"Women enjoy whisky too! The language in the pamphlet really needs to be updated. '...we tend to think that malt whisky is every man's business and also very much his own.' Aside from that...really enjoying this delicious single malt. "

I was torn between two points of view. On one hand, whisky can and ought to be enjoyed by women who may otherwise shy away from it because it's considered a "masculine" beverage. On the other hand, it is. Furthermore, as a person who relishes the subtleties of English I shudder when, for the sake of political correctness or gender neutrality, common sense is discarded and replaced by "he and she" or some other kind of pluralized forward/slashed pronoun.

Two men replied to her, and were in agreed that "men" was gender neutral and that British people are not "overly concerned by PC."

I appreciated their inclusivity of women. I replied, "Exactly. There is no need to skew the phrasing if the meaning remains intact. A good example of why gender neutrality should be taken from context: Jacques Cousteau's brilliant ultimatum, 'When one man, for whatever reason, has the opportunity to lead an extraordinary life, he has no right to keep it to himself.' This quotation appeals to the idealism in all of us, and celebrates the potential of the individual regardless of sex. "

But what about whisky?

I continued, "Some things are, and some things are not. Scotch is an inherently masculine thing. That does not prevent women from enjoying it to the fullest degree. Poetry, for example, has a feminine quality, and the great majority of poets I know of are men. Things deserve to be gendered. Words and languages themselves should have a gender, in some sense. And any Scotch lover knows that for a thing to be truly good, it must strike a unique balance between light and dark, bitter and sweet. The beauty of anything of substance is a result of the marriage of these contrasting elements, some masculine, some feminine."

I don't know if this made any impression on the woman who posted, but I thank her for bringing up the point. For me, it reminded me that whisky is full of potential energy. The raw spirit gives to and takes from wood to produce aged spirit. For the sake of taste, some whiskies are blended to create myriad styles and appeal to a wider variety of consumers. A single bottle brings men and women together, and from that blossoms conversations, realtionships, new ideas, and memories. "... whisky is ever man's business..."

So, if I may, allow me to settle this once and for all. While I personally concede that Laphroaig is marketing to a male, the language can't be updated without losing the essence of the message. Try replacing man with woman, or his own with his-or-her own. It all gets fouled up. We know women enjoy whisky. So ladies, start drinking more of it and the language we use to talk about it will naturally evolve to reflect your presence as whisky enthusiasts.

Highland Park 12

Pretty copper color, appears to have a good body.

Nose: First, a lovely heather floral perfume. Slightly peaty but, unlike the pungent Islay style or the wood-stove warmth of Ardmore, this is less smoky and more aromatic. Honey smoked ham. Gentle and sweet. Vanilla frosting with graham crackers.

Palate: Fresh malty taste, dry without bitterness. Oyster crackers, port wine. The faintest hint of sherry cask influence. Something like clove or ginger in the background. Definitely some brine, humid sea air. Would pair well with oysters.

Finish: Potpourri, lavender, heather, thyme. Mouthwatering, although sticky in a lingering way like honey. Not especially long, but a mouthcoating palate affords a finish that lingers and suggests various flavors of clover honey, spice, seashore, and mint. All tied together by a theme that balances sherry sweetness with dry peat.

Additional notes:
- I love smoke. It's really important for people who consider themselves Scotch drinkers to acknowledge the fact that if there is such thing as "terroir" in scotch whisky, the peating process expresses it most clearly.
- Every region's peat imparts different aromas and degrees of smokiness.


Ardmore Traditional Cask

Nose: Surprisingly complex, given the modest cost. Immediately smoky, more campy than pungent like Islay smoke. A balance struck between the benefits of a relatively young whisky and the influence of oak. Musk.

Palate: Shoe polish, pecans, maple candy and walnuts. Salt and pepper. Red Maple leaves. Gentle and clean.

Finish: In line with the nose and palate. Pleasant, not drawn out, but satisfying.

Additional Notes:
- I really love this whisky. It's remarkably smooth, very flavorful, and underrated in its smokiness.
- I find it for under $35.00 and hope that never changes.
- An excellent Scotch for people who are curious about trying it, and for sharing with friends.

Glenfarclas 12


I've lost my notes on this whisky, but it was astoundingly aromatic, full bodied, and wonderfully complex whisky. As soon as I find them I will post them. The most beautiful thing about Glenfarclas 12 is that every time I poured a dram and stepped out of the room, only to return to my glass a little while later, the air was filled with the aroma of raspberry strudel. In addition, this malt seemed remarkably cool. Whereas others deliver heat, it was as though my Glenfarclas had been chilled in a cellar. Even the nose seemed cooling in a mentholated way. Truly a unique experience.

Woodford Reserve

Nose: Citrus, apples and brown sugar, nutmeg. Gun oil and hardwood comes through after a few minutes. Vanilla with a little spice. Warm and soft like suntanned skin. Something damp in the nise like late summer; sexy.

Palate: Hot - cedar, drywood. Very sweet, then spicy. Oily - sunflower seeds.

Finish: Slightly bitter. Grass, polished leather. Shoelace. Hard water, charred wood. A dry finish. While fairly mild, with good length.

Additional Notes:
- At this early stage in the development of my blog, I shall point out that my notes are concentrated on Scotch. However, on a hot summer night with a couple friends there is nothing better than cigars and bourbon when you spread out on the grass as it collects evening's mist.

Laphroaig 10

Nose: Thick smoke. You can almost taste it without touching the glass to your lips. Orange peel, vanilla cream. Damp leaves. The pungency does not mask the delicacies in the background that recall damp wool and dried seashells.

Palate: Sweet, then as you swallow becomes pleasantly bitter. Smooth, but tantalizing. Charred and salty. Plenty of oak, bold like a bourbon, but more reserved and less tannic. Aggresive, but not loud. Molasses, pumpkin pie spices.

Finish: After the initial burst of flavor, more thoughtful notes of peat and iodine linger while citrus oils, pepper, salt and savory flavors fade. Finally, warm leather and pipe tobacco.

Additional Notes:
- When I first tasted this whisky I knew there was something distinguished and special about this dram. I have now tasted many different whiskies from different regions of Scotland and the world, but the impression Laphroaig has made on my palate is permanent. I had a glass of Quarter Cask in New York City. I was in a loud bar, and had no intention of taking notes. Nevertheless, Laphroaig QC held its own.
- The Laphroaig website hosts good discussions on its forum through the "Friends of Laphroaig" membership. I joined FOL, and I will reflect on a couple points people have made there as well as on other whisky forums - even youtube.